![]() ![]() Official event photos from evenings out broadcast her bold fashion choices (often monochromatic, frequently hot pink, always something glittering) and are paired with wry, self-aware captions, often with a political slant. She tells me, half jokingly, that her greatest skill is “finding friends who play nice with others.”Ī glance at Hoover’s Instagram reveals a dichotomy at play. She is on the board of the arts nonprofits Art Production Fund and Recess Art, and she cofounded the Accelerator Committee at American Ballet Theatre, which advocates for more choreographic initiatives led by women. She is a writer whose vulnerable confessions about motherhood have resonated with new and prospective moms. She is an art-world connector, having worked at New York’s Gagosian gallery for more than a decade. Hoover, 37, is a particular kind of New York enigma, one of those magnetic people with a string of titles who always seem to be wherever culture is converging, all while enjoying every minute of it. On evenings out at art openings, society galas, or fashion dinners, she will pair her miniskirts with heels that make her a solid six feet tall. This glamorous detail feels like a natural extension of her overall sensibility. “I do it to my nightgowns too,” she tells me. ![]() Thirty-two inches below the collarbone: That is the length that Sarah Hoover gets all her clothes hemmed. ![]()
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